Month: February 2008

  • Economics at Ground Level

    from Thomas Sowell's Basic Economics:

    From the standpoint of society as a whole, the "cost" of anything is the value it has in alternative uses.

    That cost is reflected in the market when the price that one individual is willing to pay becomes a cost that others are forced to pay, in order to get a share of the same scarce resource or the products made from it. ... The real cost of building a bridge are the other things that could have been built with that same labor and material.  This is also true at the level of a given individual, even when no money is involved. The cost of watching a television sitcom or soap opera is the value of the other things that could have been done with that same time.

    Ouch.  Substitute Sudoku for sitcom and you've nailed me, Thomas Sowell.

  • Today's Date

    This is for Carson, the child I would catch staring into nothingness or staring at his watch when, well, we all know what he should have been doing. 

    "What ARE you doing, my dear child?"  [I added the dear child part today. Time has a way of softening our memories.]
     
    He held up a hand as if to say, What I'm doing is of extreme importance; whatever you want can wait.

    And then he'd blow a gust of air out that he'd been holding.

    It was just 11:11:11 on 11-11. 

    Brilliant.

    A Sacred Moment.

    Today is February 4, 2008, written in America as 02-04-08. 

    Another way of saying today's date is two, two squared, two cubed

    It's the little delights of life, folks, that keep us happy.

  • Jayber Crow



    The summer of 2006, this book was the buzz among blogs I frequented.  I believe a speaker at some conference named Wendell Berry's Jayber Crow the best book he had read that year.   Since those glowing reviews this book has been waiting for me.  Recently Angie  and Deb both gave it a mixed review; they liked some parts, didn't like others. 

    I think the order in which one read books plays into his or her response, quickly acknowledging that the chronology of my book reading is quite random.  But I know I would not have benefited as much from this book if I had not first read Wendell Berry's collection of short stories, That Distand Land and Michael Pollan's The Omnivore's Dilemma.  

    I have only read 2 1/2 Wendell Berry books.  But I would encourage anyone to begin Berry (fiction) with That Distand Land.  His short stories span a century of Port Williams characters and give you the back story of his other Port Williams fiction.  When you have read about and come to love Burley Coulter, encountering him in Jayber Crow is finding an old friend. You understand him better because you know his story.

    Pollan's book (non-fiction) focuses on a farmer who regularly reads Wendell Berry's nonfiction and subscribes to his ideas.  Having read this apology for sustainable farming made me a sympathetic reader to the conflict between Troy's "progressive" farming and Athey's "traditional" methods.  When I read the sentence, "The law of the farm was in the balance between crops (including hay and pasture) and livestock" I comprehended the philosophy behind those words.

    Wendell Berry is a talented wordsmith.  He makes you slow down, his words give you pause.  I look forward with anticipation to reading through his published works.  But I'm not interested in gulping him down like a 32 oz. soft drink.  One does not gulp Berry.  One sips him, one savors the words, the thoughts, the poetry.

    Ease of going was translated without pause
    into a principled unwillingness to stop. p.187

    This grief had something in it of generosity,
    some nearness to joy.
    In a strange way it added to me what I had lost.
    I saw that, for me, this country would always be
    populated with presences and absences,
    presences of absences,
    the living and the dead.
    The world as it is would always be a reminder
    of the world that was,
    and of the world that is to come. p.132

    Uncle Stanley had no more
    sense of privacy than a fruit jar.   p.156
     
     

  • Vettriano - Scottish Artist


    The Singing Butler, Jack Vettriano


    The Umbrella, Jack Vettriano

    I was surprised to learn that The Singing Butler was painted
     around 1991.  Doesn't it seem like it's been around for much
    longer than that?  Vettriano is Scotland's most famous artist.
    He is scorned by the art establishment.  I think only two
    Vettrianos are hanging in Scotland galleries. Some of his
    paintings are risqué; many capture a 1950's-ish elegance.

    He reminds me of Edward Hopper. Eh?

    I like these two paintings.
    The top painting is romantic.
    The bottom one is fresh and simple.

    What do you think is the appeal of The Singing Butler?

    More Vettriano here.